Dynamic Africa

Dynamic Africa strives to be a multi-media information sharing curated blog that aims to function as a diverse platform for all things African and/or African-related (i.e. Diaspora) - from the classic to the contemporary.


Formerly, "This is Africa/fyeahAfrica".


(Profile Photo by Mama Casset)


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I do not endorse any of the products or opinions shared on this site, nor do I claim any of the work posted here to be my own - except where stated. All posts originally made by me are credited. If no credit is given then the work is either my own/written by me or reblogged from another source.


A LITTLE ABOUT ME:


Student, 24


Based in Cape Town, South Africa
From Lagos, Nigeria


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Posts tagged "yoruba"

BUKI AKIB AFEFE Teaser 2013

The Lagosian attire for Yoruba men (the southern tribe), where I’m from, usually consists of the Buba which is a box shaped shirt made out of cotton that will either hit shy of his hips or hang long to his knees; Sokoto, which are trousers that are usually quiet loose; and Agbada (this is the master piece): It’s an oversized, flowing robe with wide arms and beautiful embroidery around the neck and chest area. This goes on top of the Buba shirt. All my collections are always inspired by the these simple silhouettes, textures and colors.

- Buki Akib

Excerpt from the documentary: “Adire - Indigo Textiles amongst the Yoruba”

Yoruba women dressed in Adire textiles, in a still taken from the documentary “Adire - Indigo Textiles amongst the Yoruba”.

Look at that little princess in the front bottom right-handside!

(via naijakulture)

Olokun dancers , Lagos 1960s/70s

Olokun is an Orisha in Yoruba religion that resides in the ocean.

slowartday:

Yoruba Beaded Crowns; Fowler Museum, UCLA

nigerianostalgia:

Oba Ladapo Ademola II (reigned from 1920 to 1962)
First Yoruba Oba to receive any sort of lengthy political apprenticeship prior to his succession to the throne.

As the Alake of Abeokuta, he was considered the leader of the Egbas.

Read More
Vintage Nigerian Photos

STYLE ICON: King Sunny Adé

All hail King Sunny Adé (born Sunday Adeniyi on September 22, 1946 in Ondo) - Nigerian king of Yoruba juju music, an Omoba of the Yoruba people, and part-time bubu wearer.

CURRENTLY WATCHING: “King Sunny Ade Documentary” by T. Taiwo Production

Visual compilation of interviews and concert footage of the Nigerian king and pioneer of Yoruba  jùjú music, King Sunny Ade.

If you’d like to recommend/submit a documentary, feel free to do so!

The Brazilian Baracoon, built in the 1840s and held up to 40 slaves at a time in Badagry, Lagos State.

This ancient town of Badagry was founded around l425 A.D. Before its existence, people lived along the Coast of Gberefu and this area later gave birth to the town of Badagry. It is the second largest commercial town in Lagos State, located an hour from Lagos and half-hour from the Republic of Benin. The town of Badagry is bordered on the south by the Gulf of Guinea and surrounded by creeks, islands and a lake. The ancient town served mainly the Oyo Empire, which was comprised of Yoruba and Ogu people. Today, the Aworis and Egun are mainly the people who reside in the town of Badagry as well as in Ogun State in Nigeria and in the neighbouring Republic of Benin.

The name originated from the fact that the people of Badagry’s means of livelihood are farming, fishing and salt making due to the availability of trees and presence of ocean water respectively. The natives believed that Badagry was founded by a famous farmer called Agbedeh who maintained a farm which became popular it was named after him. The word Greme meant farm in Ogu language and a visit to Agbedeh’s farm brought about the word and Agbedegreme and its usage meaning Agbedeh’s farm. It was then coined to Agbadagari by the Yoruba inhabitants and later corrupted to Badagry by the European slave merchants before the end of the seventeenth century.

Badagry is majorly recognised for its slave trade by the foreigners.

The trade began in 1440 with Prince Henry, the navigator of Portugal.  By 1593, 12,000 slaves had been sold to labour markets in Italy and Spain. One horse was traded for 25-30 slaves in the 1440s and the value of African slaves rose from six to eight slaves per horse. By the 16th century, there were over 32,000 slaves in Portugal.

Along the line, Seriki Faremi Williams, an African slave appealed a bargain with his buyers. He agreed to supply slaves to the foreigners in exchange for his freedom. The Nigerian, specifically of the Yoruba tribe to be exact, got his wish and was immediately set free to begin business. He returned to Badagry and built the Brazillian Baracoon with the mission to transport as much slaves as possible. He raided villages and captured their natives and sold them to the middlemen who eventually re-sold them as slaves to European slave merchants.

The baracoons were small rooms where up to 40 slaves were kept, all in upright position for days before they were shipped across the lagoon via the point of no return into the waiting ships. The group of houses, now mostly residential, were all at one point or the other used to keep slaves waiting to be transported. Vlekete square, founded in 1510, was known to be the slave market in Badagry.

The slave merchants began to work on his intelligence and that of African Leaders involved and enticed them with material gifts. Slaves were then exchanged for merchandises as little as whisky, tobacco, rum, cuppino glass, canons, iron bars, brass, woollen, cotton, linen, silk, beads, guns, gun powder amongst others. Because they knew it was of paramount importance to these natives.

Historically speaking, Badagry was the first and last port of call. When the ships arrive to pick these slaves, they would be brought out from the hole in which they were put and taken to a place called ‘The Point of No Return’. This process involved the crossing of slaves through the ocean that links the Badagry port to this point. When the slaves have been crossed over, they would walk about 20miles to the point.

In between, they would each approach a coven where they would drink from a well that contained a silver shiny liquid claimed to be water and recite a verse. This initiation would wipe out there memory so as to avoid foreknowledge of their whereabouts. The curator further explained that these slaves immediately loose their memory and do not regain it until they reach their final destination. Only the strong ones make it to the New World and maybe luckily, back.

(x)

Ìṣubú ẹni kì í ṣe òpin ayé ẹni. / The fall of a man is not the end of his life.

non-westernhistoricalfashion:

Bracelet
17th–19th century
Nigeria, Yoruba peoples, Owo group

atane:

Extract from the liner notes for Nigeria Special vol 2 written by Miles Cleret

“Twins Seven Seven is the sole survivor in a line of seven sets of twins from the Oshogbo royal family – this part of Nigeria is renowned for producing a larger than usual number of twin sets. As well as being a painter, Taiwo Olaiyi Salau (his real name) is well known as a musician, actor, poet and writer. Always easily recognisable, Twins is a very flamboyant character who featured in Ginger Baker’s ill-fated film (Ginger Baker In Africa) from 1972, always wearing his trademark, pink, flared, collared suit, huge sunglasses and braided hair. His music (as is his art) is heavily rooted in Yoruba culture and mythology. His xylophone lines over traditional rhythms sound ethereal and quite unlike anything else form the time. Twins continued to make groundbreaking music throughout the 1970s, and he has continued right up until the present day. Also, his art now sells worldwide. One particular musical highlight is his 1974 LP for the New York label Makossa, entitled Oshun, a two-part 30-minute experimental suite.”

(Source)

cosmicyoruba:

Royal priests dedicated to Shango, the Yoruba god of thunder, wear beaded tunics during ceremonial occasions. The tunic’s zigzag and triangular patterns might evoke the jagged path of lightning across the sky as a celestial manifestation of Shango, or it may refer to the Gabon viper, an emblem of power. The beaded faces, two on each side, suggest a confrontation with divine authority.

via; African Cosmos Diary

(via thefemaletyrant)