Formerly, "This is Africa/fyeahAfrica".
(Profile Photo by Mama Casset)
DISCLAIMER:
I do not endorse any of the products or opinions shared on this site, nor do I claim any of the work posted here to be my own - except where stated. All posts originally made by me are credited. If no credit is given then the work is either my own/written by me or reblogged from another source.
A LITTLE ABOUT ME:
Student, 24
Based in Cape Town, South Africa
From Lagos, Nigeria
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(As an unemployed media student, all donations go into ensuring my survival in this cruel world and future projects I hope to embark on).
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(since Oct. 21th 2012)
“When you say you dance ispantsula in the townships, they would say you’re a hooligan. So we decided to screw taps into our shoes and show them, there’s more to pantsula than you think.” Explains Elvin. “Well, we actually glued them at first, but they kept falling off,” corrects Elrich, Elvin’s identical twin.
Via Volcano, formed by William and his friend Sphiwe back in 1994, was created to encourage dancing in the Kagiso community. Almost two decades later with a group that’s grown to over 30, they’re still working within the community trying to spread the performing arts. “When we came up with the name we thought of something strong and unstoppable. What’s more unstoppable than a volcano?”
The core of the crew as it stands today, got together back in 2001. But it took until 2005 for things to finally galvanise for the Volcanoes. “That year we won the Gauteng Dance Showcase. We were chosen to represent Gauteng in a series of workshops which led to us being chosen to go to the National Arts Festival in Grahamstown,” recalls Elvin. The impact of this exposure completely changed the face of Via Volcano. “It was the first time we were exposed to choreography – we learnt so much. After that, we returned the following year with our own production – Ayashisa Amateki.” He adds.
We break as the crew readies themselves for a display of what differentiates them from being just another pantsula crew. Apart from tapping, it’s clear Via Volcano have broken the boundaries of any specifically defined dance style. It’s a powerful show of movement, at times borrowing elements from Michael Flatley, but with a whistle and the squeak of converse shoes bringing it back to the pantsula roots. It’s clear these guys have moved far beyond Kagiso – all the way to China, in fact.
Many whites argue they had a tough time after the 1994 transition, as equity and empowerment policies ensured economic opportunities were closed off to them.
Others argue that poverty and unemployment figures have risen sharply within the white population.
The SA Institute of Race Relations has published data that shows the truth is very different.
Following the transition, 75% of whites in the country had a matric qualification and just 10% had any higher education.
But by 2012, almost all white children were passing matric while 60% of those aged 20 to 24 were enrolled for higher education.
The comparative figures are that fewer than 50% of black children are going on to pass matric and only 14% of those aged 20 to 24 are currently enrolled for higher education.
This despite the fact that the white share of total tertiary enrolment has dropped from roughly 40% to 20% since 1994, while the black share has increased to 65%.
Between 1994 and 2012, the rate of unemployment among white people increased from 3% to 5.7%.
While this is a significant increase, the actual rate remains remarkably low by national standards. For example, in 2012, 29% of black South Africans were unemployed. Black people were therefore five times more likely to be unemployed.
Read more of W(h)ither the Whites? by Frances Cronje at City Press.
This piece relates to this earlier post.
EVENT: Changing Faces: Profiling Portraits in South African in South African Art
2 3 . 0 5 . 1 3 – 1 8 . 0 7 . 1 3
An exhibition of portraits by emerging and established South African artists reflecting on the changing face of the genre within a South African context.
Showcasing examples by selected South African masters alongside more recent initiatives by artists exploring the subject from a contemporary viewpoint, the exhibition aims to map something of the altering attitude towards the notion of the portrait and to provide the viewer with a sense of this shift in perspective.
The exhibition will include, amongst others works by George Pemba, Irma Stern, Maggie Laubser, William Kentridge, Marlene Dumas, Asha Zero, Anton Kannemeyer, Tracy Payne, Claudette Schreuders, Mary Sibande, Pieter Hugo and Roelof van Wyk.
55 Main St. / Newlands / Cape Town
Earlier this week, the BBC posted an article that outlined a supposedly bleak future for the minority white population living in post-Apartheid South Africa, in particular, “working-class white people, most of them Afrikaans-speakers”.
The post, written by BBC World Affairs editor John Simpson said that despite white people in South Africa having the best jobs, running the economy, and having a disproportionate amount of influence in politics and the media, not all was rosy for all white people in the country. Because of course, if all white people aren’t ‘riding high’, there is a problem - especially because Apartheid offered almost all white people in the country (Afrikaans-speaking white people specifically) a certain quality of life that may have been unparalleled elsewhere. All this whilst systematically restricting the rest of the non-white population of their most basic human rights.
Of this ‘past’, Simpson claims that both white and black people alike have chosen to indulge in historical amnesia as South Africans would ‘like to forget’ the ‘bad old past’.
But I beg to differ. South Africans don’t commemorate and celebrate holidays such as Youth Day (June 16th), Heritage Day (September 24th), Human Rights Day (March 21st), and Freedom Day (April 27th), because they’d like to ‘forget’ the past, quite the opposite, Mr. Simpson. And then again, whenever any of the ruling governments departments - whether it be the police, the ANCYL, or the Department of Home Affairs - gets caught up in a scandal of some sort, you can bet your last Rand that white people in the country somewhere will bring up, in some way, how disorganized, inefficient or corrupt this government is in comparison to those prior to 1994. I’ve even witnessed people at grocery stores rant on about how ‘black people got lazy after Apartheid was over’.
But I digress.
Simpson is part of a BBC investigative news team that features stories that ‘reveal deeper truths about their areas of expertise’, and although I’m no expert on poverty and race relations in South Africa, the perspective of the article didn’t sit well with me and after tumblr user mixopop posted this article (link above), I went on a little search of my own to see if Simpson’s claims had any weight to them.
Here are some excerpts from other articles:
The BBC article mainly featured poor white South Africans in a country with millions of poor black people. The article failed to mention that white unemployment in South Africa is only 7%, which is lower than the majority of European nations, while black unemployment is well above 30%. If Simpson wants to talk about who has no place in South Africa, and if the basis of his argument is an economic one, then it is the black person who has no place in South Africa.
Seeing a poor white person in South Africa is still a relatively new phenomenon. When most black people see a poor white person, they ask themselves: ”What were you doing during apartheid? What were your parents doing during apartheid?” You see, apartheid taught us that to be white meant you were well off, while being black meant you were poor.
Although poverty is no longer legislated, it is not true that South Africans now have an equal opportunity to achieve wealth – black South Africans are still at greater risk of falling into or remaining in poverty. One wonders if Simpson posed the question about poor whites because it was unfathomable for him to see whites living in poverty, that blacks can be poor but whites should not be. The premise of his argument, although left unsaid, implies that.
And:
“South Africa has never been in a situation where whites have been singled out and persecuted,” said ANC spokesperson Keith Khoza.
“Instances of crime and poverty affect all South Africans regardless of the colour of their skin.”
Khoza also said the BBC was suffering from an “apartheid hangover”.
“The BBC is living in their own world with their racist tendencies where they wish to undermine the government of South Africa because it is largely a black government.”
“This isn’t just an attack on the government of South Africa and the ANC, it’s an attack on South Africa as a whole.”
The Democratic Alliance too were displeased with the article.
“This is a very pessimistic post-apartheid view of South Africa. Poverty is endemic in this country and we have poor people – not poor whites and poor blacks.
“The article and video create the impression that black people don’t suffer in the new South Africa, where they most certainly do.”
Further reading:
The reported racial exclusion policies of Kleinfontien farm settlement, near Pretoria, will be the target of a Democratic Alliance Youth protest on Thursday.
The settlement, which reportedly only accepts “white, Afrikaans Protestants who abide by the Blood River Covenant” as residents or workers, had no place in a democratic South Africa, DA Youth leader Mbali Ntuli said on Wednesday.
“We cannot allow racial nationalists on the extreme fringes of South African politics to try and bring apartheid back.”
The protest aimed to liberate Kleinfontein residents from their “apartheid mindsets”.
“While others divide, we will unite,” Ntuli said.
“Tomorrow we will show South Africa what a reconciled and prosperous nation looks like.”
Details of the planned protest would be released later.
Earlier, government expressed dismay that there were still citizens who did not want to integrate into a democratic South Africa.
“This disintegration is extremely disappointing, as it perpetuates the ills of the apartheid era,” acting government spokeswoman Phumla Williams said.
“Such acts were the main causes of a divided South Africa,” she said.
She was reacting to a report in The Times that residents of Kleinfontein settlement had vowed that only Afrikaners would be allowed to live there.
According to the newspaper, all the settlement’s residents, from the security guards at the gate to the gardeners, were Afrikaans.
Williams said all South Africans were governed by the Constitution, which catered for people of all races and religions. She said Kleinfontein residents benefited from government services.
“We strongly discourage them from lobbying for the town to be declared independent from the Tshwane municipality, as this will be contrary to the Constitution of this country.”
The Times reported that Kleinfontein’s controlling body chairman Jan Groenewald said it would lobby the Tshwane municipality for the settlement to be declared independent.
“Eventually, the African National Congress government will have to approve what we are doing here,” he was quoted as saying.
Groenewald told the newspaper a resident had to be “an Afrikaner with Voortrekker heritage, a Protestant Christian, and abide by the Blood River covenant”.
“We do not think in terms of race, we think in terms of culture… [but] you cannot ignore the fact that we have different races. That is the reality,” he reportedly said.
Residents included the leaders of several rightwing groups, but the community’s directors kept them in line, he said.
“We do not fly the South African flag because [South Africa] is a unitary state — the reason we find ourselves in this situation.”
Al Jazeera South2North host Redi Tlhabi interviews some of Africa’s most influential and powerful women, including Malawian President Joyce Banda - Africa’s second woman president, and South Africa medical doctor, business woman, activist and politician Dr Mamphela Ramphele about their transformative and historical roles.
Powerful and interesting commentary.
ELLE and Mr Price are searching for SA’s most talented young fashion designer. To kick-start your fashion career, launch your own label and be mentored by Mr Price – this way please!
To enter, download the entry form here and get started! Entries close 19 July 2013 – so you have just two months to catch the judges’ eye.
Here’s what you can win:
A cash prize of R25 000 from Mr Price
A mentorship programme
The opportunity to redesign a pre-determined range in collaboration with Mr Price to be sold in selected Mr Price stores
The opportunity to show a range at the 2014 ELLE Rising Star Design Awards, plus R6 500 from Mr Price towards the cost of creating the range.
The winner will be featured in and receive a year’s subscription to ELLE.
To stay in the #RisingStar2013 loop, follow @ellemagazineSA on Twitter!
So you want to know who you should impress? Meet our 10 judges here, and watch this space next week to find out more from and about our experts!
1. ELLE fashion director Poppy Evans
2. ELLE editor Jackie Burger
3. The first winner of the ELLE Rising Star Design Award in association with Mr Price, Jane Elizabeth Kotze
4. Mr Price trend director Joanne Frédéric
5. Mr Price trend executive Amber Jones
6. Designer Malcolm Kluk
7. Designer Christiaan Gabriel du Toit
8. Blogger Malibongwe Tyilo
9. Dr Tashmia Ismail from GIBS
10. Our reader judge (stay tuned to find out how you could end up on our panel of judges).
Earlier this year, the History Channel released ‘Miracle Rising’ - a documentary that looks at the painful transitional period in South Africa’s history, from a violently racially segregated nation to a country that, through the sociopolitical structures offered by democracy, established a crucial vehicle to obtaining peace and documenting important historical voids: The Truth and Reconciliation Committee.
Through personal accounts from South African and international figureheads, ‘Miracle Rising’ retraces the dismantling of the Apartheid regime in South Africa, and the unique and complex years that followed.
TW: violence, mentions of torture, skeletal remains, racism.
South Africa:
Vintage Portraits from South Africa in the 1960s
*From: Bobson Photography Studio
Never get tired of vintage shots from the whole African diaspora. If you’re from Southern Africa, please share your vintage shots from your past - few of them exist in the public collections outside of capturing apartheid and colonialism in the streets. Always wonderful to see people exist outside and beside politics. A true reminder that they still smiled and still persevered.
South Africa: Venda Domba Dance
“The most famous of the Venda dances is the Domba, or python dance which is held annually at one of their most sacred sites, Lake Fundudzi to secure good rains for the following season. Young maidens, as the final stage of their initiation into womanhood, line up in single file forming a chain and dance in long fluidly, winding lines, like a snake. Traditionally the dancers wear small aprons covering the back and front, with tasselled ornaments called thahu.” mashovhela.com
*Photos by: Leonie Marinovich, Paul Weinberg, Hugues Foulquier (others are archives with unknown ‘graphers)
(via mixopop)