Dynamic Africa

Dynamic Africa strives to be a multi-media information sharing curated blog that aims to function as a diverse platform for all things African and/or African-related (i.e. Diaspora) - from the classic to the contemporary.


Formerly, "This is Africa/fyeahAfrica".


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From Lagos, Nigeria


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Posts tagged "racism"

“Blacks are our brothers and friends. They are good luck charms for me, a source of blessing,’’ said Walid Ezzaraa, a Tunisian TV presenter, on Monday’s “Bila Moujamala” program.

Such a statement is perceived by some as treading the slippery slope of racial generalization, deeply ingrained in the Tunisian culture. A black is reduced to a good luck charm that blesses people when their paths cross.

Among the stereotypes foisted upon Tunisian blacks are their societal roles as evil repellents and talismans as well as their sexually potent, lazy, and unmotivated personality.

“I went to a neighbor’s marriage, and during the ceremony one of the white relatives of my neighbor came to me asking if I wanted to ride the horse in the feast (the horse is always present in southern traditional marriages over which they put the dowries of the bride). I refused as I became aware of my mother’s warning,” said Abdul Malek Tayeb, a young man from Gabes.

‘Never say yes to them if they ask you to ride the horse, they will be looking for a black to ride it, this is part of their traditions’ was the admonishment of Tayeb’s mother.

“In fact, they were looking for a black to do that in order to meet their racist traditions,” he stated in regards to the incident.

In southern Tunisian weddings, blacks are considered as part of the decorations of the ceremony. A Black woman is needed to dye the bride’s hands with henna, take care of her, and accompany her in order to cast away and avert evil.

Racism for many Tunisian blacks is a daily routine. Bullying and name-calling with epithets like Wsif, Zombak, Kahla, Shoushen, Guira Guira, and Negrita are recurrent incidents for almost all Blacks.

“I was standing in the street of Kheireddine Pacha in Tunis, waiting for a taxi, and a man came to take a cab too. A taxi came, and the man tried to take it before me, though I had been the first one raising my hand to hail the taxi. The taxi driver told me blatantly that he would prefer having his Tunisian brother in the cab than a black woman,” said Sarah Intitoury. “I couldn’t react. I just let them go,” she added.

Blacks in Tunisia are mostly thought to be former slaves. Yet, according to historians like Habib Larguesh, there are indigenous blacks native to North Africa, who were never displaced or enslaved.

“Slavery is not uniquely related to blacks. There were many white slaves, who were called Mamlouk, but after being freed, those Mamlouk went from being former slaves to acquiring a social category while Black former slaves went to a racial category, which is as freed slaves,” said Salah Trabelsi, a Tunisian historian.

“166 years now since the abolition of slavery, yet still, the Tunisian society is soaked in racism and intolerance,” said Trabelsi.

Today, many Blacks in Tunisia still bear the legacy of slavery in their identity cards. Some have written in their cards “X, emancipated slave of Y,” or, for instance, Ahmed Atig (freed slave of) Ben Yedder.

“Why should this past keep haunting him (the slave) and his grandchildren?” asked Sana Bent Khayat from Djerba. Many blacks in Djerba still shudder at this anachronistic reference in their identity cards.

Marouen Mahroug, a white Tunisian from the island of Djerba, denied any kind of racism in his island. “I think that the issue of racism in our island is approximately absent in general. In terms of color, it proves to be totally absent since we do have a good atmosphere where white and black Djerbians co-exist without any problem. On the contrary, I think we enjoy our life together, especially if we remind ourselves that “black” Djerbians really have a specific sense of humour,” said Mahroug.

Trabelsi traced the problem to a whole social ailment that is due to the lack of freedom of individuals in a country that is still looking for its identity, autonomy, and true self. “Stripped out of its primary sources, Tunisia is still under construction, and now  after the revolution people still did not fully grasp the meaning of who they are,” stated Trabelsi.

The racial climate in Tunisia can be summed up in the problem of an identity crisis. Asia Turner, an African-American woman who lived in Tunisia for 4 months, came to the conclusion that it is all about “a singular and close-minded ideal of what it means to be Tunisian.”

In her four month stay, she managed to see how people reduce the richness of their culture to believe that Tunisians are Arab people or they try “to align themselves with a more European identity, but it doesn’t really cross their mind that Tunisians can be black people too or Tunisians can be Asian or anything other than Arab and white.”

“I think that Tunisians are receptive to the idea that other Tunisians may not be Muslim… So in that way, they acknowledge religious diversity in their country, yet I doubt they acknowledge the racial diversity in the same way,” said Turner.

Tunisians, Trabelsi says, are stuck in a mental “ghetto” that fixes both whites and blacks in a certain rank to which a majority of both blacks and whites subscribe. “Many blacks now do not encourage other blacks as they believe that they are not meant for a certain higher class and thus will try to hinder their way,” stated Trabelsi. In such a way, black Tunisians may be doomed to not rise above the social class that is preset for them.

Being black and beautiful, black and smart, or black and rich are controversial combinations that mostly shock white Tunisians. According to some Tunisians, blacks ought to remain inferior to whites. “For blacks to be smarter than them (whites) is an offence in Tunisia. A white person can accept that another white person is better than him, but if this man turns out to be black, that is very offensive and can be very frustrating and insulting in their mind,” said Ali Rahali from Gabes.

Turner recounted that during her 4 months in Tunisia, Tunisians always questioned her, thinking that she must be from Senegal or Nigeria. At first, she thought it was so because she did not speak the language, and therefore people could tell that she was not Tunisian.

“But then in my talks with black Tunisians, they shared with me that even though they speak the local language and some even wear the headscarf, they are still perceived to be foreigners in their own country. So, with this said, I believe the root of the problem is a singular idea of Tunisian identity,” stated Turner.

“I lived with two host families, and they socialized often and brought people to their home, yet I never saw a black person welcomed into their home. Tunisians I spoke with always said they had black friends they went to school with, but honestly I think those black friends were just classmates and they probably don’t engage with them much outside of their classroom, university setting. There’s an issue of denial. Blacks are to a degree well-assimilated into the culture, and I often heard people say that there was no racism because blacks are in the schools and universities,” stated Turner.

Despite her different language and style, which clearly marked her as different, Turner said that being black added another layer to her experience in Tunisia and made her a target to racist remarks in public spaces.

“I can’t necessarily say that every incident was racist (…) I think I had some different experiences as foreigner compared to all my other classmates that were not black,” she said.

According to Trabelsi, instances of racism are used by their perpetrators as a method to affirm their own identity.

“In the struggle of the individual to establish his identity, some Tunisians are creating binary oppositions to establish themselves as individuals,” he concluded.

submitted by http://the13thcatsmeow.tumblr.com/

Not the most politically correct/sensitively worded article but a real eye-opener to the climate of anti-black racism in Tunisia.

Roma receive a 50,000 euro (£42,000) fine after racist chants from their supporters halt their Serie A game against AC Milan.

Play in the 0-0 Serie A draw on Sunday was stopped for about two minutes after chants were aimed at Milan’s black players from the visiting fans.

AC Milan head coach Massimiliano Allegri called Italian football “a place for the uncivilised” afterwards.

In response to the ruling, Roma released a statement condemning the actions of their supporters.

It read:  “This type of behaviour from any football supporters, including ours, is completely unacceptable. We are committed to facing this issue head-on to rid our sport of this problem and promote respect for all.”

The capital club were also warned they could play future league matches behind closed doors should the same events be repeated.

The game was brought to a temporary halt at the start of the second half and an announcement made to supporters ordering them to cease their behaviour before play was resumed.

Former Manchester City striker Mario Balotelli, ex-Portsmouth midfielder Kevin-Prince Boateng and defender Kevin Constant were part of the Milan team, with the governing body of the Italian league’s judgement stating three unnamed players had been abused.

In January, a friendly between Milan and Pro Patria in January was suspended because of racist chants aimed at Boateng. In April, Juventus were fined 30,000 euros (£25,700) for their fans’ racist abuse of AC Milan players.

The Milan v Roma match marked the first time in Italian football where play had been temporarily halted and then re-started, but Allegri questioned the strength of the sanction.

“Stopping the game doesn’t work, it’s a happy medium and like all happy mediums, it doesn’t do anybody any good,” he said.

“Balotelli was defeated, he gave everything, but he is 22 and subjected more and more to racist chants. That doesn’t do him any good.”

Born in the Congo, Kyenge moved to Italy in the 1980s to study medicine in Rome, before obtaining a position in a hospital in Modena. She met her husband, a native Italian with whom she has two children, after he underwent surgery in her department. Kyenge was at the forefront of a dramatic demographic shift in Italy. As recently as 1991, just 1 in 100 residents held a foreign passport. Today, it’s 1 out of every 12. For every five children delivered in the country, one is born to a foreign parent. Unlike Kyenge, most of Italy’s recent arrivals are poor and employed in jobs that Italians refuse: construction workers, maids, caregivers for the elderly. The foreign-born middle class has yet to establish itself, while the first generation of immigrant children born and educated in the country is just moving into the workforce.

While Italians don’t like to think of their country as racist, the experience of non-white Italians and resident immigrants illustrates a culture that has found it hard to welcome increasing diversity. “How many times have I been told, ‘You’re so beautiful, you don’t even seem truly black?’” says Medhin Paolos, 23, an Italian of Eritrean descent and a member of Rete G2, a group campaigning for a reform of Italy’s citizenship laws. “Where I come from, this is not a compliment.”

A study by the University of Messina and the anti-discrimination group ARCI found that a substantial majority of the children of immigrants reported being insulted on the streets, talked down to by teachers, watched with suspicion in shops, turned away from restaurants and treated rudely by immigration officials. In 2002, the Italian government passed a law requiring all non-Italian residents to have their fingerprints taken, as part of the process for applying for residency.

“There’s the idea that black people stink,” says Jean Zongo, 28, the son of African immigrants. There was a period when he was younger, Zongo was afraid to take the bus at night, for fear of encountering racial violence. More than once, he has climbed aboard to hear a group of young men grunting like monkeys. It’s a charmless display of racism that has migrated from Italy’s soccer stadiums — where Mario Balotelli, the Italian football star of Ghanaian heritage, has famously faced chants of “There’s no such thing as a black Italian” — to youth culture at large. Zongo has traveled to France, Spain and England. Only in his own country, he says, is he made to feel second class. “[Discrimination] is present in just about every aspect of life, in every circumstance,” he says.

We do not debate race here at any meaningful level, but use it to settle old scores and maintain the status quo in often violent, usually vitriolic ways. So anything that is mildly critical of white society is seen as anti-democratic , prejudiced and radical. It thus does not serve to unify the nation in any way, but to polarize a dangerously polarized country even further. White society in my part of the world has cleverly made itself the victim, and it has done this with the full backing of the international establishment.

Tsitsi Dangarembga (via b-sama)

This is the truth. I’ll add that now even Black Africans have joined in defending/supporting this false white victim hood.

(via thefemaletyrant)

(via manufactoriel)

Inter Milan has been hit with a $58,600 by UEFA after being found guilty of “improper conduct” following allegations its fans racially abused Tottenham striker Emmanuel Adebayor.

The Togolese striker, who scored a precious away goal to take Tottenham through to the next round during last month’s Europa League tie, appeared to be subjected to monkey chants, while a fan was also seen with an inflatable banana.

Inter won the match 4-1 but crashed out of Europe’s second-tier competition on the away goals rule with Adebayor’s strike proving crucial.

The Italian club was also charged with “insufficient organization” and “throwing of missiles and/or fireworks.”

Inter has already been punished in domestic competition after the Italian football authorities found its fans guilty of racially abusing former players Mario Balotelli and Sulley Muntari, who now play for fierce rival AC Milan.

The club was fined $65,500 for the incident which took place in March, while it was also forced to pay out $22,700 after fans sang racist chants about Balotelli during a Serie A game against Chievo.

(read more)

An allowance for life had always been made for really vicious people, who for too long had said the kind of things to helpless people which really applied to their own twisted, perverted hearts.

Those who spat at what they thought was inferior were really the ‘low, filthy people’ of the earth, because decent people cannot behave that way.

Excerpt from Maru by Bessie Head.

This book has been an eye-opener in so many ways, highly recommend it.

In Botswana they say: Zebras, Lions, Buffalo and Bushmen live in the Kalahari Desert. If you can catch a Zebra, you can walk up to it, forcefully open its mouth and examine its teeth. The Zebra is not supposed to mind because it is an animal.

Scientists do the same to Bushmen and they are not supposed to mind, because there is no one they can still round to and say, ‘At least I am not a —-‘.

Of all things that are said of oppressed people, the worst things are said and done to the Bushmen. Ask the scientists. Haven’t the yet written a treatise on how Bushmen are an oddity of the human race, who are half the head of a man and half the body of a donkey?

Because you don’t go poking into the organs of people unless they are animals or dead.

Excerpt from Maru by Bessie Head.

Senegalese boxer Battling Siki and his wife Louis Fall Siki made headlines after the pair were arrested in Memphis, Tennessee, for entering a whites-only restaurant, in December of either 1923 or 1924.

Powerful interview with the late Miriam Makeba on Finnish TV in 1969.

Interviewer: “Which status are you aiming to between the whites and the Africans, at the end, when you have won?”

Makeba: “That will depend on them, we are not worried about them. We are just worried about ourselves. It is our country, they came from Europe to invade our country. They took it, they have made us suffer, so we don’t have to worry about thinking what will we do to them or what will happen to them. It will be up to them to see fit what they can do when we have won, just like they see fit what to do right now, while they are on top. So, it’s something that we don’t worry about. All we are worried about is to fight and liberate ourselves.

[…]

They could’ve have come to our country and live side-by-side with us, we didn’t mind that. In fact when they came we said, “come in, sit down”, and they sat down and said, “get out”. 

Some people have declared that they have been offended by the publication in Numéro magazine n°141 of March 2013, of an editorial realized by the photographer Sebastian Kim called “African Queen”, featuring the American model Ondria Hardin posing as an “African queen”, her skin painted in black.

The artistic statement of the photographer Sebastian Kim, author of this editorial, is in line with his previous photographic creations, which insist on the melting pot and the mix of cultures, the exact opposite of any skin color based discrimination. Numéro has always supported the artistic freedom of the talented photographers who work with the magazine to illustrate its pages, and has not took part in the creation process of this editorial.

For its part, Numéro Magazine, which has the utmost respect for this photographer’s creative work, firmly excludes that the latest may have had, at any moment, the intention to hurt readers’ sensitivity, whatever their origin.

Numéro Magazine considers that it has regularly demonstrated its deep attachment to the promotion of different skin-colored models. For instance, the next issue of Numéro for Man on sale on 15th march has the black model Fernando Cabral on the cover page, and the current Russian edition’s cover of our magazine features the black model Naomi Campbell on its cover. This demonstrates the completely inappropriate nature of the accusations made against our magazine, deeply committed to the respect for differences, tolerance and more generally to non-discrimination.

Considering the turmoil caused by this publication, the Management of Numéro Magazine would like to apologize to anyone who may have been offended by this editorial.

The apology from Numéro Magazine concerning their highly offensive and down-right racist ‘African Queen’ photoshoot that featured a young white model with highly bronzed skin, saying that the photographer’s intention was simply to highlight racial and cultural diversity.

They go on to defend the photographer’s ‘creative work’ and state that because they’ve featured two black models on separate issues, this is a clear demonstration of their non-racist ethics. Except this isn’t about whether or not they’ve featured black models in their magazines, this is about the publishing of an insulting editorial that lacks even an ounce of racial , historical and cultural sensitivity.

I really don’t care if the photographer’s intention was of a creative disposition - intent doesn’t matter in cases like this, it’s the final product which in this case is clearly racist and a display of blackface.

There’s absolutely no justification for Kim and Numéro’s actions, not when there are plenty of black models in the industry to chose from (not to mention this could’ve been a great way for the magazine to boost a newcomer’s career), and especially because far too many incidents have happened in the past and outrage has been expressed at the offensive nature of these so-called ‘artistic expressions’ that bear similarities to this editorial. 

They really ought to have known better.

Can the camera be racist? The question is explored in an exhibition that reflects on how Polaroid built an efficient tool for South Africa’s apartheid regime to photograph and police black people.

(via katebomz)

In July last year, 38-year-old Christian Ukwuorji, a US citizen born in Nigeria, visited Greece with his wife and three children. They visited Rhodes and Santorini, and stopped in Athens on the way back.

It was while he was walking in central Athens with a friend that Ukwuorji was stopped and asked for his ID by the Greek police. Despite showing them his US passport, he was detained with a group of immigrants and taken to the police station.

While there Ukwuorji says he tried to take a photograph of his handcuffs on his mobile phone but when officers saw what he was doing they jumped on him, beating him until he passed out. He woke up in hospital with concussion.

The police returned his passport and his damaged mobile phone. He was not charged with any offence. The US Embassy has requested an investigation, but six months on there has been no word from the police. Ukwuorji believes he was the victim of racism and says he will never visit Greece again.

White kids use a poster of a Black child for target practice at an agricultural show.

Oudtshoorn, South Africa.

2003.

Johannesburg, South Africa

1995

© Ian Berry/Magnum Photos

rustons:

Did you ever hear about the difficulty of a Black model succeding in the fashion industry of recent years? Did you ever hear about anything like that?

Uh no, I actually didn’t know how hard it was because you know I watched all the interviews with Naomi Campbell and stuff like that. And they asked the same question and she was just like, “It is hard being a Black model knowing that you’re not gonna get a job but you still have to be out there.” And in Australia too, when I go casting, they ask me “Why did your agency send you here and I’m like because this is casting and they just go “We don’t work with Black models.” 

They say that when you go casting in Australia?

Yeah, like the big names. They’ll be like “We don’t work with Black models, so, sorry. Sorry they have to send you all the way here.” And I’m just like ‘No it’s okay, thank you for letting me know.” So yeah, it is hard being a Black model because it’s just impossible but at the same time I don’t wanna think about it as impossible. I want to think about it as possible because we can turn the impossible into possible!

Ajak Deng interviewed by Bethann Hardison