Formerly, "This is Africa/fyeahAfrica".
(Profile Photo by Mama Casset)
DISCLAIMER:
I do not endorse any of the products or opinions shared on this site, nor do I claim any of the work posted here to be my own - except where stated. All posts originally made by me are credited. If no credit is given then the work is either my own/written by me or reblogged from another source.
A LITTLE ABOUT ME:
Student, 24
Based in Cape Town, South Africa
From Lagos, Nigeria
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(As an unemployed media student, all donations go into ensuring my survival in this cruel world and future projects I hope to embark on).
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(since Oct. 21th 2012)
Stills from Toumast, documentary retracing the History of Touareg people in Niger, between rebellions, music, culture and daily life. Starring Aminitou Goumar and Moussa Ag Keyna from the musical duo Toumast.
Nomades du soleil de Henry Brandt, Edition La Guilde du livre, Lausanne, 1956.
via endilletante
Fulani child in Niger.
From: Nomades du soleil de Henry Brandt, Edition La Guilde du livre, Lausanne, 1956.
via endilletante
Fulani woman in Niger.
From: Nomades du soleil de Henry Brandt, Edition La Guilde du livre, Lausanne, 1956.
via endilletante
Nomades du soleil de Henry Brandt, Edition La Guilde du livre, Lausanne, 1956
Niger
(via nocturnalphantasmagoria)
Nomades du soleil de Henry Brandt, Edition La Guilde du livre, Lausanne, 1956.
Niger
(via nocturnalphantasmagoria)
A L’ECOLE NOMADE, a french-nigerien documentary of Luc Federmeyer. 1997.
It tells the stories of Tuareg* families refusing to put their children in what they call colonizers schools, instead they decide to open their own institutions that will teach their kids real History and important things. The schools are called Nomad schools and the instructors must adapt themselves to the schedules of the Tamasheq children.
*Imazighan
Who’s through to the Africa Cup of Nations 2013 championship?
Anyone interested in African football knows that this past weekend was the final round for African football teams to stand a chance at winning the 29th Africa Cup of Nations (AFCON) title and potentially making it to Brasil in 2014.
The qualifying matches for the AFCON ‘13 tournament were underway and after a tense weekend of riots and historical feats, the 16 teams that will be representing their countries at the games next year are as follows:
Pot one: South Africa*, Zambia, Ghana, Ivory Coast
Pot two: Mali, Tunisia, Angola, Nigeria
Pot three: Algeria, Burkina Faso, Morocco, Niger
Pot four: Togo, Cape Verde**, DR Congo, Ethiopia***
*South Africa qualified automatically as they are the tournament’s hosts.
**Cape Verde beat Cameroon to qualify for the first time ever.
***Ethiopia represent their country at the AFCON games for the first time since 1982.
“Sahara” de Sylvio Acatos. Photographies de Maximilien Bergmann. Editions Silva, Zurich, 1969.
Intérieur d’une maison à Agadès (Niger).
(via 37thstate)
The Kanem-Bornu Empire was a large African state which existed from the 9th century through the end of the 19th century and which spanned a region which today includes the modern-day countries of Niger, Chad, Cameroon, and Nigeria. The empire was founded by the Zaghawa nomadic people, who may have been the first in the central Sudan to acquire and make use of iron technology and horses.
Kanem was situated north east of Lake Chad. Its early origins are thought to lie in the 7th century with the settlement of the Zaghawa people. In the early 11th century, the Kanuri-speaking Sefawa dynasty was established, displacing the Zaghawa.
The empire was first mentioned by Arab chroniclers in the 9th century, and by the 10th century the ruler of Kanem had control of the Kawar Oases, a vital economic asset. The political structure of the Kanem empire had most likely grown out of rival states coming under the control of the Zaghawa. In the 11th century the Zaghawa clans were driven out by Humai ibn Salamna, who founded the kingdom of Kanem with a capital at Njimi. The Saifwa dynasty was established, a dynasty which ruled for 771 years—-the longest known reign in history.
Saifwa rulers (known as mais) claimed they were descended from a heroic Arabic figure, and the dynasty greatly expanded the influence of Islam, making it the religion of the court. Wealth came largely through trade, especially in slaves, which was facilitated by the empire’s position near important North-South trade routes.
Kanem converted to Islam under the ruler Hu or Hawwa (1067-71). There is some speculation that this ruler might have been a woman. The faith was not widely embraced until the 13th century. Certainly, Muslim traders would have played a role in bringing Islam to Kanem.
The wealth of Kanem derived from the ability of its rulers to control trade in the region. Their main exports were ostrich feathers, slaves and ivory. Their exports were crucial to their power and ability to dominate their neighbour. They rode horses, which they imported from the north.
Kanem reached the height of its power under the long rule of Mai Dunama Dibalami (1210-1248). His cavalry numbered over 40,000. But over the next hundred years, a combination of overgrazing, dynastic uncertainties and attacks from neighbours led the rulers of Kanem to move to Borno, which had previously paid tribute to Kanem. At this point, the state is sometimes referred to as Kanem-Borno.
Bornu expanded territorially and commercially, but increasing threats from other rival states, drought, trade problems, and rebellious Fulani groups eroded state control. Muhammad al-Amin al-Kanemi, a Muslim cleric, eventually defeated the rebellious Fulani and built a new capital at Kukawa in 1814.
His successors ended the Saifwa dynasty and the Kanem-Bornu Empire when they killed the last mai in 1846. Al-Kanemi’s Shehu dynasty was short-lived, and succeeded by slaver and warlord Rabih Zubayr, who was defeated by the French in 1900.
FILM: Moi, un noir (I, a Black Man) - Jean Rouche, 1958
[French dialogue with Portuguese subtitles]
Moi, un noir (I, a Black Man) is a modern, urban film with post-synchronized voice-over narration (i.e. no dialogue or other diegetic sound is heard) set in West Africa during the last decade of French colonisation.
Shot on location, mostly in the Treichville ghetto of Abidjan (Ivory Coast), it focuses on young migrant workers from Niger, particularly Oumarou Ganda, who rename themselves after Western cinema actors and characters and black boxing stars as a way of getting used to what Steven Ungar (2007: 112) has called a ‘“new” Africa’.
Indeed, while forging make-believe identities and attempting to erase their real origins, Tarzan, Dorothy Lamour, Eddie Constantine (also known as US Federal Agent Lemmy Caution) and Edward G. Robinson (also known as boxer Sugar Ray Robinson, fantasising about being Lamour’s husband) recount their joys and pains. Ganda/‘Robinson’ narrates the film, is its visual centrepiece and asks some of its most pertinent questions, such as: ‘[what] the hell are we doing here in the Ivory Coast?’In short, Moi, un noir foregrounds role-play and fantasy interwoven with the real, lived experiences of migration, poverty, xenophobia and disillusionment during the period when African nations were soon to gain independence.
(read a critique of the film)
Further Reading:
Niger rower Hamadou Djibo Issaka received a rapturous reception from the Eton Dorney crowd despite finishing dead last in the men’s singles sculls.
The 35-year-old, who has been nicknamed “Issaka the Otter,” finished the 2,000m stretch in just under nine minutes in a race to settle the bottom three places.
Issaka only took up rowing three months ago and trained for his Olympic debut in an old fishing boat.
He now plans to compete at the 2016 Games in Brazil.
(source)
Stills from 1971 Nigerien-French short film Le Wazzou polygame (Polygamic Wazzou/The Polygamist’s Morale) directed by and starring Nigerian filmmaker and actor Oumarou Ganda.
The film, Ganda’s second, centers around the conflict that arises in a Nigerian village when polygamous traditions and individual relationships are put to the test as a result of illicit desires.
For this film, Ganda was awarded the Grand Prize at the 1972 Panafrican Film and Television Festival of Ouagadougou, Burkina Faso, making the it the first official winner of that festival.