Dynamic Africa

Dynamic Africa strives to be a multi-media information sharing curated blog that aims to function as a diverse platform for all things African and/or African-related (i.e. Diaspora) - from the classic to the contemporary.


Formerly, "This is Africa/fyeahAfrica".


(Profile Photo by Mama Casset)


DISCLAIMER:


I do not endorse any of the products or opinions shared on this site, nor do I claim any of the work posted here to be my own - except where stated. All posts originally made by me are credited. If no credit is given then the work is either my own/written by me or reblogged from another source.


A LITTLE ABOUT ME:


Student, 24


Based in Cape Town, South Africa
From Lagos, Nigeria


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(As an unemployed media student, all donations go into ensuring my survival in this cruel world and future projects I hope to embark on).


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Posts tagged "ghana"

bon-dia-querida:

When I passed the windows yesterday
I passed into a night buttered
With stars like the yellow petals
Of the acacia on the black soil
On which it stands.
I plunged into a treachery of winding lanes
Into an eclipse of the sun.
I heard murmurs and groans of childbirth
And could not tell
From which unhinged door they came:
The doors were too close together.

Three neighbours met,
And after a hurried, “I give you rest”
The two young men stood aside for the old man
To pass and then picked their way
In the opposite direction towards the alley
On the left.
They were thieves who robbed with violence
But still they stood aside for the old man
And he thanked them.

In a bereaved world questions and comments
Fall on unhearing ears.
Only silence, understanding and
Belonging can put
A blind man’s stick in the hands
Of a searcher in that night.

The crumbling walls have leaned
On their chests for decades!
The toll of breathing has shredded
Their lungs, and their eyes are sore
With the smoke of the wicker lamps.
And now we all stand at the edge
Of an abyss
Afraid to plunge headlong, or
Return to the dark of the night with them!

(via ghanailoveyou)

ghtog:

Three female cleaners walk back after a tough morning cleaning the beach. Though the gov’t pays $250 per cleaner per month, only $50 a month reaches them as salary, and even that sometimes delays for up to 5 months. Photo by Nana Kofi Acquah @everydayafrica @ghtog #Ghana #Corruption #CheapLabour

Only a few days ‘til you can buy Canadian-Ghanaian artist Kae Sun’s sophomore album AFRIYIE digitally (May 28th). But in the meantime, OkayAfrica has made the album available for streaming in its entirety. Yes, all ten tracks including his incredible and anthem-like song When the Pot (which I absolutely love).

The rest of the album is full of catchy sing-a-long tunes with guitar-led rhythms in the same vein as When the Pot, such as Heart Healing Pulse and Weh-Weh, striking heart-felt emotive songs like Burden of Love, Lead Loaded Letters and Ship and the Globe, and the socially conscious driven Lion Unleashed that shows the true dynamism of Kae Sun’s voice.

A cohesive and well put-together effort from Kae Sun, AFRIYIE is definitely an album to add to your collection.

okokoroko:

Cape Coast. Ghana © Francis Kokoroko 2013

(via ghanailoveyou)

90 plays
Kiki Gyan,
Feeling So Good

hierophage:

Kiki Gyan - Sexy Dancer (1979).

While most of the world was paying attention to the American and Italian Disco sounds, Ghanaian wunderkind Kiki Gyan was in London bringin’ some masterful jams. Sadly, Maestro Kiki fell victim to AIDS in 2004

today’s classic tune.

(via ghanailoveyou)

archimaps:

The VIP Stand on Black Star Square, Accra

(via ghanailoveyou)

ambitiousceo:

It was not without its fair share of challenges. The students initially hoped to launch the CanSat with a rocket, but discovered authorities would not give them permission to import one. “They think you are going to use it as a missile, like a terrorist,” said Benjamin Bonsu, the lab’s 29-year-old project manager.

(via ghanailoveyou)

mostlytalk:

If you know your woman, know her rhythms,
know her ways; if you paying attention
to her all these years, you will know
how she comes and goes, how she slips
away even though she is standing in
the same place, you will know that her
world is drifting softly from you, and she
may not mean it, because all it is
is she is scared to be everything, scared
to be finding herself in you every time,
scared that one day she will ask herself,
all forty-plenty years of her, where
she’s been; if you know your woman,
you will know that mostly she will
come back, but sometimes, when she
drifts like this, something can make her
slip; and then coming back is hard.
If you know your woman, you can
tell by the way she puts on heels,
and she does not sashay for you
because it is not about you—how
she will buy some leather boots
and not say a word about it,
and you only see it when she walks
in one night, and she says she’s had
them forever; you will see the way
she loses the weight and pretend
its nothing, but when she isn’t seeing you
looking, you can see how she
faces the mirror
lifts her chest to catch a profile,
and how she casually looks at her
ass for signs of life. If you know
your woman, when you are gone, she
will find things to do, like walk
alone, go see a movie, find a park,
collect her secrets and you won’t know,
because she is looking for herself.
And she won’t tell you that she wants
to hear what idle men say when she
walks by them; because what you say
is not enough. If you know your
woman, you know when she’s going
away and you will feel the big
hole of your love, and you can’t
tell why she’s listening and humming
to tunes you did not know she heard
before, and she will laugh softly
at nothing at all. If you know your
woman, you will see how she comes
and goes, and all you can do is wait
and pray she will come back to you,
because you know that your sins
are enough for her to leave and not return.

Kwame Dawes

(via ghanailoveyou)

These are the African cities where you can catch him performing:

Oct. 4: Dar es Salaam, Tanzania (Diamond Jubilee)
Oct. 6: Accra, Ghana (Accra Conference Center)
Oct. 7: Lagos, Nigeria (Ocean View)
Oct. 9: Luanda, Angola (Cine Karl Max)
Oct. 11: Cape Town, South Africa (Belleville Velodrome)
Oct. 13: Durban, South Africa (ABSA Stadium Outer Fields)
Oct. 14: Johannesburg (Coca Cola Dome)

quazimottoonwax:

Afropolitan Dreams

Artist: Blitz The Ambassador 

Stylist: Joshua Kissi 

Photography/Creative Direction: J. Quazi King

http://quazimottoonwax.tumblr.com/

Instagram = @Quazimottoonwx 

(via streetetiquette)

nycartscene:

Continues thru Aug 4:

“Gravity and Grace: Monumental Works”
 El Anatsui

Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NY

The first solo exhibition in a New York museum by the globally renowned contemporary artist El Anatsui, this show features over 30 works in metal and wood that transform appropriated objects into site-specific sculptures. Anatsui converts found materials into a new type of media that lies between sculpture and painting, combining aesthetic traditions from his birth country, Ghana; his home in Nsukka, Nigeria; and the global history of abstraction.

Included in the exhibition are twelve recent monumental wall and floor sculptures, widely considered to represent the apex of Anatsui’s career. The metal wall works, created with bottle caps from a distillery in Nsukka, are pieced together to form colorful, textured hangings that take on radically new shapes with each installation. Anatsui is captivated by his materials’ history of use, reflecting his own nomadic background. Gravity and Grace responds to a long history of innovations in abstract art and performance, building upon cross-cultural exchange among Africa, Europe, and the Americas and presenting works in a wholly new, African medium.

photos: C-Monster

Achimota School Boxing club

Accra, Ghana

1933

Ph: J.K. Bruce Vanderpuije

The chief of Jamestown and his wife

Ghana, 1939

© J.K. Bruce Vanderpuije

 

Family portrait by Ghanaian photography Daniel Attoumo Amicchia (1908-1994)

manufactoriel:

Prempeh, Last of The Ashanti kings.