DYNAMIC AFRICA

African-based news, lifestyle & popular culture platform that brings you stories and information concerning Africa and the African diaspora. Set up in 2010, Dynamic Africa is a rich content-driven creative space with a Pan-African outlook established as an expressive platform for African experiences, African culture and African stories.


Dynamic Africa is a diverse multimedia platform, which curates global ideas, memes, attitudes and other phenomena that shape popular culture, with both a local and global African perspective.




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Posts tagged "fashion"

"Azul" by Nicollette Mollet featuring Jade Ava.

Minimal styling with slight touches of bold hues of blue.

Photographer: Nicollette Mollet
HMUA: Walter Fuentes
Fashion Stylist: Ashley Ann Kim
Model: Jade Ava

Jourdan Dunn by Benjamin Lennox for Garage Magazine Fall/Winter 2014.

Photography: Benjamin Lennox
Fashion Editor: Anders Solvsten

Adonis Bosso in “Courtside” for Hello Mr. Magazine.

Basketball inspired courtside editorial featuring Ivorian model Adonis Bosso.

Photography: David Urbanke.
Styling: Randy Bince

FKA twigs for V Magazine #91 photographed by Sølve Sundsbø, styled by Beat Bolliger.

The Limited Collaborates with Kerry Washington to Produce Olivia Pope-inspired Clothing Collection.

If you’re a fan of Scandal or if you’ve coveting the flawless professionally chic style of Kerry Washington’s “fierce and fabulous” fictional character Olivia Pope, thanks to this new collection by retail brand The Limited, you’ll soon be able to shop and style yourself in her likeness.

In just a few days, September 23rd to be exact, the 78-piece range designed in collaboration with Washington will be available for purchase and has a seemingly affordable price range. Pieces are priced between $49 to $250.

Watch a promo video for the collection here.

(images via e! online & The Limited)

"Femme" is a short black-and-white fashion film shot by Ghubar founder and editor-in-chief Sarah Diouf.

Filmed in Senegal’s capital Dakar, we are taken on a woman’s journey around the city - from the back of a taxi cab to one of the city’s markets - accompanied by poetic prose from writer Mufida Sedqawi whose words tell “the universal story of the rebirth of a woman who loved and hurt.”

William Okpo: Spring/Summer 2015 lookbook.
Photos by Jason E Hardwick.

In this short film by Harriet Fleuriot, Rachel King and Karen Bengo, as we encounter different elements of light, dark, wind and flora, model and dancer Karen Bengo takes us on a creative and beautiful journey of space, movement and freedom of expression.

So lovely!

A film by HARRIET FLEURIOT, RACHEL KING and KAREN BENGO
Movement and direction KRISTINA & SADÉ ALLEYNE
Camera and lighting assistant BEN NEWBURY
Make-up OLUBUNMI OGEDENGBE
Clothing GEORGIA HARDINGE
Accessories FLEET ILYA / ANNA PESONEN
Styling ERIN LAWRIE
Soundtrack: “Amsterdam (Sun Glitters Remix)” by LASERS facebook.com/lasersounds
Thanks SARAH COCKINGS and PRYORS FARM

karenonline.com

FASHION | POPPY NTSHONGWANA FOR SUPERGA SS 2014/15.

The official spokesperson for Italian shoe brand Superga in South Africa,  DJ and television personality Poppy Ntshongwana models her personally-designed footwear for the label’s spring/summer lookbook.

(all images via Superga SA)

Revisiting the “African-Urban-Man” Style: Sapeurs by Amira Ali.

“White people invented the clothes, but we make an art of it”, a phrase commonly used and referred to the Sapeurs, Congo-Brazzaville’s self-confessed modern day dandies. The phrase coined by Sapeur godfather Papa Wemba.

Sapeurs, French slang for “dressing with class” take their name from the acronym SAPE, for Société des Ambianceurs et des Personnes Élégantes. Gentlemen’s club for the dapper, it’s a sartorial subculture consciously emulating its colonizer, layered with ambience and new expressions. The Sapes profess “La Sape” is an “art for ‘real’ gentlemen”. Living by an agreed aesthetical rule, their savior faire and modish use of the body and expensive dress with meticulously matched colors is a radical yet subtle form of protest, which in recent years has received international attention. Seemingly, the symbol of the Sapeur par excellence receives more notice on its aesthetics and less on meaning.

 In this extravagance buzz, the Sape’s fashion statement and bold flair is producing a post-modern phenomenon of the “African-urban-man” style and elegance. Sapologists, “gentlemen who live by a creed with a strict code of honor and morality”, are said to contest circumstances poised through the beautification effect of chic dressing. A belief that “it’s not the cost of the suit that counts, it’s the worth of the man inside it.” A performance and embodiment of sophistication, Sapeurs are prototypes of vibrant icons consciously portraying the embracing of a subcultural lifestyle.

Fascinated by this culture, the western world, beyond its ahistorical representation of Africa, has taken on the Sape as its new ‘western’ media phenomenon. In 2011, though an oddly placed feature the Sapeurs stole the spotlight in Solange Knowles’ “Losing You” video, shot in South Africa. But discovered long before Solange’s video, they have been introduced to the world colorfully as a ‘society of tastemakers and fashionably elegant’ stylistic inspiration to photographers.

The latest is the Guinness advertisement campaign; a break from the prototypical brand marketer’s portrayal of Africa, its approach takes on the exposé of the urban-debonair-man. A post-modern embodiment of style and sophistication, and a commitment to the “Society of Elegant Persons of the Congo” (La Sape), yet again, they add style, charm and vividness to a campaign that would otherwise be ordinary. These gentlemen referred to by Stephen O’Kelly, Guinness’ marketing director for Western Europe, as a “truly inspiring and unique group of men” are the featured ‘stars’ of Guinness’ recent advertising campaign, “Made of More”.  

A fashionable depiction, the Guinness ad artistically captures the extravagance of the everyday working Sapeurs as they transform from their day job to a cigar wielding, European-three-piece suit, silk socks, and fedora wearing men. Aesthically well crafted, a fine image is displayed of the urban-elegant expensive-looking of gentlemen. Yet, on the far side of this captivating documentation and splendid dress there is another side to the story of the Sapeurs living in Bakongo. These men are described as not being economically wealthy, and in fact some are said to rent items of clothing in the name of ‘ambianceur’ and fashion ‘worshipping’ or even take small fee(s) in exchange for a photographer’s glory –a snapshot of their dapper image. So, besides the undoubtedly rich spirit it may be a wonder, “what of what of the image we see of the Sapeurs is ‘true to life’?” A contrast of their ‘real-life’ far removed from our sight, the world is nonetheless left to experience the Sapeurs through the lens of photographers and cinematographers who bring out their mode par excellence alive. And perhaps, such depictions can be representational of the (re) construction attached to African cultural movements that permeates the western mainstream landscape. 

 All photos by Ruddy Roye :: a Brooklyn (New York) based photographer specializing in editorial and environmental portraits, and photojournalism. You can find more of his work here

FASHION EDITORIAL: “All That Jazz” - Ajak Deng in Marie Claire Australia, September 2014.

Photography: David Gubert.
Styling: Valeryi Yong.