Dynamic Africa

Dynamic Africa strives to be a multi-media information sharing curated blog that aims to function as a diverse platform for all things African and/or African-related (i.e. Diaspora) - from the classic to the contemporary.


Formerly, "This is Africa/fyeahAfrica".


(Profile Photo by Mama Casset)


DISCLAIMER:


I do not endorse any of the products or opinions shared on this site, nor do I claim any of the work posted here to be my own - except where stated. All posts originally made by me are credited. If no credit is given then the work is either my own/written by me or reblogged from another source.


A LITTLE ABOUT ME:


Student, 24


Based in Cape Town, South Africa
From Lagos, Nigeria


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(As an unemployed media student, all donations go into ensuring my survival in this cruel world and future projects I hope to embark on).


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(since Oct. 21th 2012)




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The beauty of the ‘Gele’ photographed by #Nigerian photographer J.D. Okhai Ojeikere

The Yoruba are one of the largest ethno-linguistic or ethnic groups in West Africa. The majority of the Yoruba speak the Yoruba language and are found in Nigeria, constituting approximately 21 percent of its total population, and around 30 million individuals throughout West Africa. 

The traditional Yoruba women’s outfit consists of four parts: the buba (a blouse like shirt), the iro (wrap skirt), the gele (head tie/wrap), and the ipele or iborun (shawl or shoulder sash). Aso oke is a hand loomed cloth woven by the Yoruba people and it is traditionally used to make the ensemble, although in more recent times organza, taffeta, damask and laces have been used. Stiff fabrics are preferred, at least for the gele, so that it holds it shape throughout the day.

The gele is wrapped around the head but unlike most head wraps that lie flat on contour of the head, the gele is manipulated to stand away from the head, creating an enormous headpiece.

Over time and with more wealth becoming available to the commoners (versus the royalty), the size and quality of workmanship and fabrication in the gele became to be a potent symbol of a woman’s socio-economic status.

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